![]() ![]() For example, you could set the 3-part tuning intervals to 6:2, 3:1, 3:1 (bass/mid/treble) while at the same time have the 8:4 and 4:1 intervals selected for display in the Deviation Curve. Ever since 3-part tuning, the selection of the bass and treble intervals in the Deviation Curve is totally separate from the selection of the bass/mid/treble intervals used to make the 3-part tuning calculation. One was to set which intervals are displayed in the graph and the other was to set which intervals were used to calculate the tuning. Before there was 3-part tuning these intervals served two purposes. Normally one does not care how pure the selected treble interval is when far from the treble, and likewise for the selected bass interval as we get far from the bass end. ![]() To the right of the break the graph is displaying the selected treble interval and to the left of the break it is displaying the selected bass interval. That graph is a hold-over from the very early days of TuneLab (2001) and is maintained for curiosity or research purposes.Īs for the break at C#4/D4, it is an arbitrary fixed dividing point because it doesn't matter all that much. Is there a reason why the beats/cents graph is fixed to have a break in between of c#4 and d4?įirst of all the beats/cents graph (called the Deviation Curve) is of much less importance now with automatic 3-part tuning calculations. Side question on tunelab if mr scott can jump in or anyone.
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